Who or what is the voice on your shoulder telling you that you can’t write about (fill in the blank). The approach to fresh language is usually accompanied by distancing yourself from what you think might be correct or “right.” Using the “separate language” of poetry, where do we begin filling the empty spaces? In this workshop, you will document your vernacular, learn to deliver your poems aloud, and interview your fellow workshop poet. This will be a workshop-long immersion in the practice of writing, the art of reading, and building a sustainable writing community.
Doors 6:30 PM / Start 7:00 / Havana Theatre / $25 Adv / $30 Door / Limited Space!
Award-winning poet and children’s book author Willie Perdomo is the author of The Essential Hits of Shorty Bon Bon (Penguin Poets, 2014), a finalist for the National Book Critics Circle Award and Milton Kessler Poetry Award; winner of the International Latino Book Award, and a Hurston/Wright Legacy Award nominee. He is also the author of Smoking Lovely (Rattapallax, 2004), winner of the PEN/Beyond Margins Awards and Where a Nickel Costs a Dime (Norton, 1996), a finalist for the Poetry Society of America Norma Farber First Book Award. His most recent book is The Crazy Bunch, forthcoming from Penguin in Spring 2019. Perdomo is a Pushcart nominee, two-time New York Foundation for the Arts Poetry Fellow and a former Woolrich Fellow in Creative Writing at Columbia University. His work has appeared in The New York Times Magazine, The Norton Anthology of Latino Literature, Bomb Magazine, and African Voices.
Perdomo’s children’s books include Clemente! (Henry Holt & Co., 2010), winner of the 2011 Amerícas Award for children’s and young adult literature; Visiting Langston (Henry Holt & Co., 2002), and Postcards of El Barrio (Isla Negra Editores, 2002).
Born and raised in New York City, the city, its people, and its rich, vibrant cultures deeply inform Perdomo’s work, as well the lineage of writers who’ve helped form his aesthetic vision. In an interview with Words without Borders, Perdomo was asked about iconic literary places in New York City that are meaningful to him: “ Go to the corner where Claude Brown used to scrap & fisticuff daily; to the rooftop where Piri Thomas used to scream his poems to the world; to the bench where Julia De Burgos collapsed from heartbreak; to the neighborhood where Lorca saw a Puerto Rican woman so beautiful that he wrote his mother, convinced that they were the most beautiful in the world; where Jack Agueros wrote his sonnets; where Pedro Pietri ignited a revolution; where Henry Dumas was tragically shot; where Toni Cade Bambara told our usable truths; where Lou Reed waited for his connection; where Carlito Brigante weighed the angles; the bushes where Miguel Pinero slept; the subway line where Audre Lorde wrote her poems; the SEEK program where Adrienne Rich used to teach in the 1970s . . . ”
Perdomo is currently a member of the VONA/Voices faculty and an English Instructor at Phillips Exeter Academy. He divides his time between New Hampshire and New York City.